My story

Atlas Network: JOURNALIST FLEMMING ROSE PRESENTED WITH MILTON FRIEDMAN PRIZE FOR COURAGEOUS DEFENSE OF FREE SPEECH

“Free expression is in danger across the globe. Protestors who are offended by the ideas of others have a chilling effect on the publication and dissemination of speech — and some of those protests aim for a violent suppression of ideas they don’t like. Danish journalist Flemming Rose found himself at the center of controversy in 2005 after the newspaper he worked for at the time, Jyllands-Posten, published a set of editorial cartoons depicting the Islamic prophet Muhammad. His recent book, The Tyranny of Silence: How One Cartoon Ignited a Global Debate on the Future of Free Speech, recounts that period and explains why it’s important to take an active role in defending the right to speak and publish. For his work advancing the cause of free speech, the Cato Institute has awarded Rose the 2016 Milton Friedman Prize for Advancing Liberty, presented on May 25 at the Waldorf-Astoria in New York City.”
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Lampadia.com: “Cada vez más gente cree que tiene derecho a no ser ofendida”

“...¿A qué cree que se debe este fenómeno de autocensura?
Bueno yo lo llamo “fundamentalismo de agravio”. Cada vez más gente sinceramente cree que tiene derecho a no ser ofendida. En una democracia se tiene varios derechos: votar, libertad de religión, de movimiento etc., pero el único derecho que no se debería tener es el de no ser ofendido. Pero más gente cree que tiene ese derecho y ‘juega’ la carta de la ofensa cada vez más. En todo el mundo...

Creo que se basa en políticas de identidad, ya que a las personas en un mundo globalizado les resulta muy difícil responder a la pregunta: “¿Quién soy?”. Todos buscamos identidades para protegernos y tener un sentido propio. Cuando encontramos una identidad, la queremos proteger contra cualquier ofensa. El resultado es que al final se vuelve más importante qué nos distingue de los demás que aquello que compartimos con otros seres humanos. En mi libro exploro mi experiencia con este fenómeno, pero no me limito a Dinamarca o Europa. Se trata de lo que pasa en otras partes del mundo con distintas religiones e ideologías y sobre distintos períodos de la historia. Sobre las guerras de la religión en Europa, sobre el comunismo en Rusia soviética, la Alemania de Weimar y diferentes episodios históricos en los que se revisa la libertad de expresión, las limitaciones de esta y, más ampliamente, de la libertad.”
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WorldPost: Why I Published Cartoons of Muhammad and Don't Regret It

“...Back in 2005, I was trying to cover a story about self-censorship and fear among writers, artists, museums, publishers, comedians and other people in cultural life in Denmark and Western Europe. A children's writer had made headlines when he claimed that he had difficulties finding an illustrator for a book about the life of the Prophet Muhammad; the reason, he said, was fear. That was the starting point for a debate about self-censorship in dealing with Islam. Several other examples followed. In one example, a Danish comedian admitted he was afraid of mocking Islam the same way he did with Christianity. In another, two imams called on the Danish government to pass laws criminalizing criticism of Islam.
This last example added another dimension to the debate. What do you do when people adhering to a faith or ideology insist that others with different convictions submit themselves to taboos outside sacred places?”
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CNN: Danish journalist under threat: I will not give in

Brooke Baldwin speaks to journalist Flemming Rose, culture editor of Danish newspaper Jyllands-Posten, who published drawings of Prophet Mohammed in 2005.
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The Guardian: "A Europe without blasphemy is back in the middle ages..."

“...Though the Copenhagen attack was a shock, it didn’t come as a surprise. As French cartoonist Plantu told me recently when we were chatting in his office at Le Monde in Paris: “This is just the beginning. There will be more attacks.” Unfortunately, I think he is right. This will be a long battle, first and foremost a battle of ideas. The erosion of the crucial distinction between words and deeds – between an image that some may find offensive and actual violence – has created a climate in which “blasphemers” are required to bear responsibility for violent attacks subsequently directed against them. I experienced that myself in 2006 after commissioning drawings of Muhammad published in the Jyllands-Posten newspaper in Denmark, and I have tried to explain the mechanisms at work in my book The Tyranny of Silence: How One Cartoon Ignited a Global Debate on the Future of Free Speech. There are people who seriously believe that the organisers of the Copenhagen debate asked for trouble. This is partly due to a new grievance fundamentalism. It heightens the sense of insult and offence, according it enormous social power.”
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Boston Globe: Can hate speech be eradicated?

“CAN HATE be eradicated from the public arena?
That utopian dream is what’s driving the European Union’s efforts to ban “hate speech,” a difficult-to-define concept that European governments keep trying to apply in more and more contexts. It’s based on an interpretation of the Holocaust that has become the founding narrative for European integration:that evil words beget evil deeds...”
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Al Jazeera America: Flemming Rose talks to Antonio Mora

“...Let's go back a decade, when you were thinking about publishing these cartoons of the Prophet Muhammad. You had seen self-censorship happening throughout Europe and in different situations. And the straw that broke the camel's back for you was a man who wanted to write this and couldn't find an illustrator to draw the prophet for this children's book. So what was your intent, then? Because you went out and you invited people, cartoonists throughout Denmark, someone to come up with these drawings. What was your intent behind that invitation and then the subsequent publication?
I think there were two issues. In fact, we were not sure about how wide a problem self-censorship was. We had this one case. So one person self-censorship in fact taking place when it comes to dealing with Islam? And if it is taking place, is it based [on] a fiction of the mind or of our imagination, or is it based in real fear? And nine years after the fact, we have to acknowledge that we received an affirmative answer to both questions.”
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Em VEJA desta semana: A expressão não pode ter limites

“Era fim de tarde de uma terça-feira, há seis anos, quando o telefone tocou. Uma voz que havia se tornado familiar, do Serviço de Segurança e Inteligência da Dinamarca, disse que dois homens que planejavam me assassinar tinham sido presos em Chicago. O FBI havia frustrado outro ataque planejado ao meu jornal, Jyllands-­Posten, que tinha como alvos específicos a mim e o cartunista Kurt Westergaard. Os terroristas eram um americano e um canadense, ambos de origem paquistanesa. Um estava ligado a atrocidades no ano anterior em Mumbai. Ele já havia visitado a Dinamarca duas vezes em missões de planejamento e comprado sua passagem de volta a Copenhague. Um ano depois, Westergaard teve a sorte de escapar de outra ameaça a sua vida. O artista, de 73 anos, estava assistindo a um filme com sua neta pequena quando um somali com um machado invadiu sua casa para matá-lo. Ele se refugiou em um quarto de segurança que se vira obrigado a construir. Durante uma década, nós tivemos de viver à sombra de tais ameaças, depois que encomendei uma dúzia de charges retratando Maomé. Foi essa decisão que provocou uma tempestade ao redor do mundo, com a republicação das charges em vários outros jornais. Apesar das tentativas de assassinato, era muito fácil, à medida que a vida seguia, ser levado a acreditar que a ameaça era abstrata.”
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EL PAÍS: ¿Qué clase de civilización somos?

DEBATE SOBRE LA LIBERTAD DE EXPRESIÓN
¿Qué clase de civilización somos?
DERECHO A OFENDER. Su decisión de publicar unas viñetas de Mahoma para denunciar la autocensura encendió el debate sobre el futuro de la libertad de expresión. Flemming Rose, jefe de Internacional del ‘Jyllands-Posten’, el principal diario danés, reflexiona sobre el uso de la sátira como respuesta de una civilización sana ante la barbarie.

Philippe Val, entonces redactor jefe de Charlie Hebdo, no podía ocultar su irritación cuando, en 2007, con motivo del juicio celebrado contra la revista satírica de izquierdas por publicar unas viñetas de Mahoma, se le preguntaba si realmente había sido necesario, si no se trataba de una provocación innecesaria y un ataque a una minoría débil y oprimida. Charlie Hebdo había reproducido unos dibujos del diario Jyllands-Posten, junto con otras viñetas del profeta hechas por sus caricaturistas, como reacción a los ataques contra las Embajadas danesas y las amenazas al diario. “¿Qué civilización seríamos si no nos pudiésemos burlar, mofar y reír de los que vuelan trenes y aviones y asesinan en masa a inocentes?”, se preguntaba indignado Philippe Val. La pregunta resurge con fuerza tras la matanza en la redacción de Charlie Hebdo.
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ABC News George Stephanopoulos: Excerpt: ‘The Tyranny of Silence’ by Flemming Rose

“...If we believe in equality, it seems there are two available responses to threats against freedom of speech. One option is, basically, “If you accept my taboos, I’ll accept yours.” If one group wants protection against insult, then all groups should be so protected. If denying the Holocaust or the crimes of communism is against the law, then publishing cartoons depicting the Muslim prophet should also be forbidden. Butthat option can quickly spiral out of control: before we know it, hardly anything may be said.
The second option is to say that in a democracy, there is no “right not to be offended.” Since we are all different, the challenge is then to formulate minimum constraints on freedom of speech that will allow us to coexist in peace. A society comprising many different cultures should have greater freedom of expression than a society that is significantly more homogenous. That premise seems obvious to me, yet the opposite conviction is widely held, and that is where the tyranny of silence lurks. At present, the tendency in Europe is to deal with increasing diversity by constraining freedom of speech, whereas the United States maintains a long tradition of leading off in the other direction. Following the collapse of the Eastern Bloc, many European countries have outlawed Holocaust denial, for example, and it appears that the United States will increasingly stand alone with its tradition of upholding near-absolute freedom of expression on that issue.”
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The Comics Journal: Cartoons of Mass Destruction: The Whole Story Behind the Danish 12

“In 2006, 12 Danish cartoonists controversially drew pictures of Muhammad at the urging of Flemming Rose, the culture editor of the Danish weekly Jyllands-Posten. This news story from The Comics Journal #275 (April 2006) offers a multitude of perspectives — from cartoonists, Danes, Muslims, Danish Muslims — and is being rerun to help supply context for the Charles Hebdo killings.
Michael Dean and R.C. Harvey, with the assistance of Eric Millikin and Houria Kerdioui”
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POLITICO Magazine: The Worldwide War Against Free Speech - Flemming Rose

“Sony’s decision to withdraw its movie The Interview under threat from North Korea—at least temporarily—did not happen in a vacuum. It is part of a rising trend that I call “grievance fundamentalism,” which is, bit by bit, squelching free speech around the world. It’s not just the hyper-sensitive Kim Jong Un in Pyongyang; more and more people and groups think they have a special right not to be offended – from Moscow to Manhattan, from Bombay to Berlin. Dictators and movements with an oppressive agenda are learning the language of grievance fundamentalism and use it with some success.”
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Der Spiegel: Why I Published the Muhammad Cartoons

”05/31/2006
By Flemming Rose
European political correctness allows Muslims to resist integration, argues the culture editor of Jyllands-Posten. Instead, Muslims should be treated just like all Europeans -- including being subject to satire. He argues that publishing the caricatures was an act of "inclusion, not exclusion." Read more

The Washington Post: Why I Published Those Cartoons

”By Flemming Rose
Sunday, February 19, 2006

Childish. Irresponsible. Hate speech. A provocation just for the sake of provocation. A PR stunt. Critics of 12 cartoons of the prophet Muhammad published in the Danish newspaper Jyllands-Posten have not minced their words. They say that freedom of expression does not imply an endorsement of insulting people's religious feelings, and besides, they add, the media censor themselves every day. So, please do not teach us a lesson about limitless freedom of speech.” Read more