Jyllands-Posten
Bill's Book Reviews and News: Why the Jyllands-Posten Cartoon Controversy matters to almost all western writers - and it's not limited to drawings
“The book covers a tremendous range of interlocking issues about free speech and even about the modern liberal idea of the rule of law, going way beyond just the idea of any possible religious insult from the cartoons. One central theme is whether people outside a putatively marginalized cultural group have the “right” to publish materials about people in that group. For me, that is the inverse of the issue I face as a writer: I focus on my own story, whereas real “writers”, so to speak, make a living by writing about characters or people very different from themselves (Stephen King, in the fiction world, for example). Another theme concerns how freedom of speech meshes with other rights on both individual and group levels. There is concern over whether there is a right “not to be insulted” (although that plays out differently on individual and group levels.) There is the idea that “free speech” can marginalize groups in such a way that dictators can then pounce and scapegoat the group (this theory of how Hitler pursued his “Final Solution” is examined). There is also a delineation between western individualistic cultures conflict with “fear-based” hierarchal societies common in history and characterizing totalitarian regimes today. Rose sees the psychology of extreme communism, fascism, and “radical Islam” (the name I’ll use for now) as fundamentally similar. Rose also give some understanding of why young men turn to combative ideology as with radical Islam. Liberal society, with its notion of individualized accomplishment does not work for them, but a world based on the use of force, where they are able to compete socially, does work. Put all of these ideas together and you get something very grim, and its implications for speech. Those who criticize a belief system (religious or not), or idolized leadership (think about North Korea, for example), are to be targeted, with such determination that a normal legal system cannot stop it. A “fear culture”, whether a religious establishment or a rogue state (or a combo of both) can, from abroad, go to war with individual citizens who even criticize it publicly. Indeed, in his endorsement on the dust cover, gay and apatheistic libertarian author Jonathan Rauch speculates on fear associated even with a “blurb” for the book, and Nat Hentoff characterizes the “self-censorship among individuals and societies confronted by highly combative cultures that allow no criticism of their sacred beliefs.” And to be honest, even civilized people don't like to see some beliefs overtaken, but civilization keeps us from making too much of other people's business. “
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Harvard Political Review: Self-Censorship: The Hidden Gag Order
“...A related set of events transpired in 2005, when a series of Prophet Mohammed caricatures were published in Denmark. The reactions from some members of the public were much worse than anticipated: death threats were issued, a widespread boycott of Denmark was initiated, Danish embassies were set on fire, and several protest-related deaths resulted. Flemming Rose, who commissioned the 2005 cartoons as cultural editor of the newspaper Jyllands-Posten, recently released his book on the so-called cartoon crisis. In The Tyranny of Silence, the man principally responsible for the Danish cartoons’ publication writes about his new life as an object of hatred and about his free speech philosophy, in a manner that would immediately make any free speech libertarian nod...”
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